For a full list of titles, contact details and payment methods, go to - www.kpress.com.au
GUIDE TO EUCALYPTS
This plant guide is fully illustrated in colour, featuring photographs of the leaves, flowers and bark of all 37 eucalypt trees that are native to the Brisbane region. ACE Guide to Ecalypts is a user-friendly book that enables the identification of local gum trees. This guide is designed to be used by school students and anyone who appreciates a walk in the bush as well as for expert naturalists. Advice is given on how to find koalas and which trees they eat. Profiles are provided on 37 species with high resolution photos to aid identification. There is a map of Brisbane Reserves and a list of species found in thosse reserves. There is also a summary of Aboriginal uses of eucalypts. .
First edition 2021,
cardcover, 48 pages, B&W and colour photos, map
This fully illustrated
book features the work of Australias leading surf photographers
from the first known photograph of the Australian surf zone through to
20th century boom in surfing and the contemporary scene. Featured photographers
include Richard Daintree, Frank Hurley, Harold Cazneaux, Jack Eden, Bob
weeks, John Witzig, Peter Crawford, Ted Grambeau, Joli, Bill Morris, Sean
Davey, Tim McKenna, Russell Ord, Rich Richards, Stuart Gibson,
Leroy Bellet, Ray Collins and dozens more. In the introduction by Tom
Carroll, he states that this book, "looks at surfing through a broad
lens, embracing all forms of activity in the surf zone. Surf and Ocean
photographers are often viewed as an unusual breed, a sub-culture inhabited
by some real characters, some of whom have shuffled off this mortal coil
in recent years. It is time to acknowledge them, and to celebrate their
skills and dedication in creating images that inspire us".
- THE PAST
Antikirrinya elder Ingkama Bobby Brown was born on Ingomar Station south of Coober Pedy in South Australia about 1940, the son of an Arrernte stock worker and Antikiirinya mother. Bobby was taught traditional culture amd language by members of his family as he grew up. Apart from station work Bobby has taught across several schools in South Australia, worked with the late ethnomusicologist Cath Ellis at the University of Adelaide, and has interpreted for the Magistrate's Court of South Australia. For many years he has worked with Dr Petter Naessan, a linguist from Norway, who is now a Research Associate in Linguistics at the University of Adelaide. Together Bobby and Petter have developed a simplified process of writing Pitjantjatjara/Yankunytjatjara language. As well as Aboriginal language this book covers aspects of the eco-history and Antikirrinya oral history of Ingkama (Ingomar Station) and surrounding areas of South Australia. The initial idea for this book came from Bobby, who wanted to make sure that tjamula kamila arangka, 'the ways of the grandparents', could be documented for future generations.
Keeaira Press, first edition 2012, cardcover, 64pages, colour photos and illustrations, ISBN-978-0-9805942-5-6
FLEAY'S WORLD OF WEDGE-TAILS
book brings together the writings of David Fleay as he attempted to educate
his fellow Australians on the attributes of the Wedge-tailed Eagle. A
bird that was once seen as an enemy to the pastoral industry and was eventually
granted total protection. Then the common sight of rows of Wedge-tail
bodies strung along barbed wire fences, those gruesome trophies, disappeared
from the rural scene. David Fleay's final success in breeding the Wedge-tailed
Eagle in captivity took place in 1977 after 42 years of dedicated attempts.
These writings show the total admiration and respect expressed by David
Fleay for the Wedge-tailed Eagles.
A story based on thje account of one man's search for Truth during an extraordinary time in history. This is the second volume in the Shibboleth trilogy - is a genre-bending, darkly humorous account of a modern day shamanistic journey set during a pivotal time in Australian and world history. The first volume Woke represented the Apprentice stage of the journey. In volume two Will Oakley unwittingly becomes an Initiate, before progressing to the final stage, the Adept.
First edition 2019,
cardcover, 264 pages
The Lost Story of an African Australian is a true story of breathtaking scope that follows a familys journey across several centuries, from First Peoples genocide and the transatlantic slave trade to flight and freedom in a new land, punctuated by some of the most significant conflicts in human history. It is also the story of race, identity and the whitewashing of Black and Indigenous history. George Bernie Showery was born in Sydney, Australia, in the years prior to Federation. Abandoned by his African-American father when he was just three years old, an eccentric father figure would later introduce him to carefree days at Freshwater Beach. It was here, in the summer of 1914-15, that Duke Kahanamoku would demonstrate his graceful ability to walk on water, with the ocean serving as both a stage and a supreme metaphor for change. Soon after, Bernie Showery would be called away to fight for the British Empire, serving in the Middle East with the legendary Australian Light Horse and the Imperial Camel Corps. Fighting alongside Lawrence of Arabia, he would witness the great cavalry charge at Beersheba, the fall of Damascus, and the manoeuvring behind the British carve-up of Palestine.
First edition 2020,
cardcover, 460 pages, B&W photos
SEARCH OF THE BLACK PANTHER PARTY
around the Black Panthers from the moment the revolutionary black nationalist
Party was founded in Oakland, California, in 1966. Since that time, the
group that J. Edgar Hoover called the single greatest threat to
the nations internal security has been celebrated and denigrated,
deified and vilified. Rarely, though, has it received the sort of nuanced
analysis offered in this rich interdisciplinary collection. Historians,
along with scholars in the fields of political science, English, sociology,
and criminal justice, examine the Panthers and their present-day legacy
with regard to revolutionary violence, radical ideology, urban politics,
popular culture, and the media. The book looks at how the Party's use
of revolutionary aesthetics, and they show how the Panthers manipulated
and were manipulated by the media. Illuminating some of the complexities
involved in placing the Panthers in historical context, this collection
demonstrates that the scholarly search for the Black Panthers has only
just begun. Contributors: Bridgette Baldwin, Davarian L. Baldwin, David
Barber, Rod Bush, James T. Campbell, Tim Lake, Jama Lazerow, Edward P.
Morgan, Jeffrey O. G. Ogbar, Roz Payne, Robert O. Self, Yohuru Williams
and Joel Wilson
Fleay is known as the Founder of Conservation in Australia. He was the
first person to breed the platypus in captivity an event not repeated
for another 50 years. This new edition of David Fleays classic book Paradoxical
Platypus, is introduced by Michael Archer, as well as a forward by
Dr Steve Van Dyck, Senior Curator of Vertebrates at the the Queensland
Museum. Originally printed in 1980, this ground-breaking book laid the
foundation for research in this field and offers a fascinating insight
into a remarkable Australian.
In this exciting interdisciplinary
collection, scholars, activists, and media producers explore the emergence
of Indigenous media: forms of media expression conceptualized, produced,
and created by Indigenous peoples around the globe. Whether discussing
Maori cinema in New Zealand or activist community radio in Colombia, the
contributors describe how native peoples use both traditional and new
media to combat discrimination, advocate for resources and rights, and
preserve their cultures, languages, and aesthetic traditions. By representing
themselves in a variety of media, Indigenous peoples are also challenging
misleading mainstream and official state narratives, forging international
solidarity movements, and bringing human rights violations to international
Indigenous Media addresses Indigenous self-representation across many
media forms, including feature film, documentary, animation, video art,
television and radio, the Internet, digital archiving, and journalism.
The volumes sixteen essays reflect the dynamism of Indigenous media-making
around the world. One contributor examines animated films for children
produced by Indigenous-owned companies in the United States and Canada.
Another explains how Indigenous media producers in Burma (Myanmar) work
with NGOs and outsiders against the countrys brutal regime. Still
another considers how the Ticuna Indians of Brazil are positioning themselves
in relation to the international community as they collaborate in creating
a CD-ROM about Ticuna knowledge and rituals. In the volumes closing
essay, Faye Ginsburg points out some of the problematic assumptions about
globalization, media, and culture underlying the term digital age
and claims that the age has arrived.
SHADOWS TO STONE
book features a collection of photographs from an early anthropological
expedition to the North West Coast of Canada, Alaska and Siberia. In 1897
Morris Jessup, president of the American Museum of Natural History in
New York, sponsored a five-year expedition to the North Pacific. Under
the Direction of anthropologist Franz Boaz, research teams studied the
cultural and biological similarities and differences among the several
peoples living on both sides of the Bering Strait, the presumed route
of migration from Asia to North America. The immense research project
left a legacy of classic ethnographies, irreplaceable museum collections,
and some three thousand photographs.
In 2002 the song 'Down River' became an overnight hit, Five boys aged eight to twelve, had recorded their own lines to a simple digeridoo beat and it struck a chord with music lovers across Australia. The boys became known as the Wilcania Mob when the song hit high rotation and the media came looking for the new 'boy band' from far western New South Wales. Till then they'd just been a bunch of passionate kids having fun at a holiday workshop. This book is an illustrated version of the journey taken by those five young boys, their families and their community. It traces their origins from a makeshift recording studio in Wilicania, to centre-stage in front of 20,000 fans at the Homebake Music festival, through to having their song remixed by London based hip hop artist M.I.A and released to an international audience.
First edition 2006,
48 pages, cardcover, large format, fully illustrated in colour, ISBN 978-0-646-48422-8
THARLTA ON THE BUS
Paakantji is the languageof
the Aboriginal people from Broken Hill, Wilcannia area western New South
Wales. This book teaches the names of some favourite animals in a rhyme
that will have little ones dancing. If you have an Audio Reader, run it
over the pages to hear the sounds.
MATARA LOVE TO CLAP
Awabakal is the Aboriginal language from the Newcastle, Lake Macquarie and Lower Hunter region of New South Wales. This book lets young readers learn Awabakal words for parts of their body in a rhyme that encourages movement and sounds. If you have an Audio Reader, run it over the pages to hear the sounds.
First edition 2011,
softcover, 16 pages, colour illustrations, ISBN 978-0-9805359-2-1
AND THE BIG RED KINAN
As Lenny takes his
walk and collects insects, we learn some of the words that relate to the
bush, to the landscape and the little creatures that can be found there.
This is a beautifully illustrated childrens book that teaches words from
the Awabakal language region of New South Wales. If you have an Audio
Reader, run it over the pages to hear the sounds.
WITH EMPTY POCKETS
Herb Whartons first
scribbled words have led to a literary career that has seen him leave
his hometown of Cunnumulla in south-west Queensland and travel the world.
A career that has given him much satisfaction and he hopes that the contents
of this book of poems and yarns gives the reader food for thought and
Margo migrated from Poland in 1963 and has since spent many years in the desert regions of Central Australia spending time with several Aboriginal communities. Her poetry is presented alongside photographs of everyone from singers Ruby Hunter and Archie Roach to artists Clifford Possum Tjapaltjarri, Eunice Napangardi and Mary Dixon Nungarrayi, complemented also by photographs of some of the most inspirational landscapes in the country, from the Tanami Desert, the road to Kintore and the Simpson Desert from the air. She pays tribute to many of the people she encounters on her travels with poems for Billy Stockman Tjapaltjarri, Pansy Napangati, Lily Hargraves, Edward Blitner, Ada Petyarre, sisters Gloria and Nancy Petyarre and well known artist, the late Emily Kame Knwarreye. The poetry and photographs tell the story of her learning about the land and the traditional owners of the country she and her family have made home.
First edition 2000,
hardcase cover, 100 pages, poems, colour photographs
WOMEN, TWO WORLDS
them grew up in a Park Avenue apartment, haunted by a painful childhood,
deserted by her father, her mentally ill mother committed to a hospital.
She became a physcotherapist. The other grew up in a dirt-floor hut shared
by pigs, in the remote highlands of Papua New Guinea. She married a polygamist
whose family gave "bride price" to her family and whose fifth
wife attacked her with a knife. She became a feminist activist. Somehow,
they met. With the heart of a mother and the attuned intellect of an experienced
United States psychotherapist, Audrey McCollum explores the life of Pirip
Kuru. McCollum discovers that she needs to suspend her Western feminist
perspective in order to see Pirip clearly. The more she discovers about
Pirip the more she discovers about herself. Her poignant memories lend
an incredible strength to a story of cross-cultural understanding and
the death of his beloved wife and film-maker partner, Robin Anderson,
Bob Connolly read her diaries from the year they had spent filming a vicious
tribal struggle in the Highlands of Papua New Guinea. Living in a grass
hut with their two-year-old daughter Katherine, and operating their own
camera and sound equipment they recorded 60 hours of footage and the result,
the feature-length documentary 'Black Harvest', won awards all around
the world. Using Robins diaries as his inspiration, augmented by 60 letters
he wrote in the field, Connolly has written a narative that not only sheds
light on film-making, but honestly recounts the pair's moral dilemmas
as they document the unfolding disaster that overwhelms the people they
Great Australian Speeches brings together a diverse and often moving collection of over 50 speeches ranging from colonial times to the present day. Some have resonated with a power enough to shape the nation; others encapsulate the best - and worst of the Australian character. This selection proves that stirring oratory is not simply the preserve of politicians and military figures. Some of the people feautured in this book include; Governor Arthur Phillip, Peter Lalor, Robert O'Hara Burke, Ned kelly, Sir Henry Parkes, Alfred Deakin, Miles Franklin, Manning Clark, Malcolm Frazer, Gough Witlam, Paul Keating, Geoffrey Blainey, Mick Dodson and Blue Bob.
edition 2009, card cover, 258 pages, B&W photos, index
Imani Perry considers
the art, politics and culture of Black American hip hop through an analysis
of song lyrics, the words of the prophets of the hood. Her innovative
analysis revels in the artistry of hip hop, revealing it as an art of
innovation, not deprivation. The author offers detailed readings of the
lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La
Soul, KRS-One, Outkasts, Sean "Puffy" Combs, Tupac Shakur, Lil'
Kim, Biggie Smalls, Nas, Method Man, Lauryn Hill and Foxy Brown. She focuses
on the cultural foundations of the music and on the form and narrative
features of the songs-the call and response, the reliance on the break,
the use of metaphor, and the recurring figures of the trickster and the
outlaw. Hip hop, she suggests, airs a much wider, more troubling range
of Black experience than was projected during the civil rights era. It
provides a unique public space where the sacred and the profane impulses
within African American culture unite.
EYE FOR THE TROPICS
Images of Jamaica and the Bahamas as tropical paradises full of palm trees, white sandy beaches, and inviting warm water seem timeless. Surprisingly, the origins of those images can be traced back to the roots of the islands tourism industry in the 1880s. As Krista A. Thompson explains, in the late nineteenth century, tourism promoters, backed by British colonial administrators, began to market Jamaica and the Bahamas as picturesque tropical paradises. They hired photographers and artists to create carefully crafted representations, which then circulated internationally via postcards and illustrated guides and lectures. Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the tropicalizing images and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artistsincluding Christopher Cozier, David Bailey, and Irénée Shawat the same time that they remain a staple of postcolonial governments vigorous efforts to attract tourists.
First edition 2006,
cardcover, 368 pages, B&W and colour photos, index
Details on how to order can be found on the home page www.kpress.com.au
If using the Printable Order Form please include your three digit security code
Click Here for a Printable Order Form (PDF format)